The tenth season premiere stranded Adam and Jamie on a not-so-deserted island and stranded the build team on… well, I couldn’t care less, honestly. Grant is probably back in San Francisco, making passionate love to a sex-bot, while Tori makes passionate love to a woman and Kari… uh, what does Kari do? I guess she just watches. The show’s done its fair share of selachian-leaping ever since M5 seceded from M7, so “Duct Tape Island” was a nice return to the odd couple dynamic that powered the Mythbusters at their early best, “Ping-Pong Rescue” and “Cola Myths” for example, and also so much Mythbusters slash fiction. It’s the best episode Mythbusters has made since “Alcohol Myths” way back in season six, and also a disappointing demonstration of the show’s ever-expanding toothlessness and compensating staginess.

The duct tape episodes tend to be Mythbusters high points, relying on interesting builds and the cast chemistry for a story instead of Discovery’s usual stand-by of gratuitous explosions, or shooting shit, or demonstrating how some scene from a Michael Bay movie wouldn’t happen that way in real life. Duct tape never fails to impress, plus it’s probably the show’s most accessible building material, one that makes the frustrating pre-episode legal disclaimer even more superfluous. I could make duct tape shoes. Well, not me exactly, but someone dextrous could do it. Someone dextrous could even re-construct the saggy duct tape bridge, although maybe stringing it across a drydock is something still best left to the experts or the Mythbusters.

I was expecting “Duct Tape Island” to be one of the Jamie-heavier episodes, given his background as a wilderness survival expert. Then again, I was also expecting Adam and Jamie to film and camp on a deserted island, since spending a week in the wilderness alone with nothing but a camera crew isn’t exactly pushing the Discovery Channel into new territory here. I liked Jamie keeping his hyperactive better half out of trouble, even if the scene where Adam oh-so-nearly dove into stagnant water was so obviously staged. It was classic Mythbusters for just a second, the conflict between Jamie’s rationality-driven paternalism and Adam’s id.

I realized that Jamie is really what’s kind of eroded in the show as it’s grown more popular and more commercial. Back in the series’ younger days, Jamie was a unique presence — the TV host who had no interest in being on TV. He wasn’t just uncomfortable, he was outright contemptuous of the Mythbusters as performance troupe theme of the show. With Adam’s ever-consuming need for audience attention in frame, Jamie’s stoicism looked even more goofy than his beret and mustache. That’s what I liked so much about “Alcohol Myths” — Jamie, the grumpy, logical engineer who distills physical attractiveness down to “general signs of health,” way farther than any normal person should take the idea.

That man would not build a surfboard out of duct tape if he didn’t first know how to surf.

Coming up, myths from date-night movies. Ugh, how I yearn for the good old days.

 

“Torpedo Tastic” managed to entertain me. Mythbusters has been mildly amusing sometimes, occasionally informative or interesting, but — despite the cast wearing silly costumes in the blueprint room, and shootin’ stuff with cartoonishly large guns, and blowin’ shit up in bigger and bigger ‘splosions — the show’s like science class. Even if you like science, that doesn’t mean you’d necessarily choose a chem lecture over Modern Family.

Not that Mythbusters has become a lecture, didactic or infotainment, but it’s definitely lost something since the old days, when it was just Discovery time-filler between nature documentaries and that bald guy who accessorizes houses — spontaneity. Mythbusters was still in its experimental phase, certainly less efficient at storytelling and not as sure about its focus. There were a few inevitable Adam-Jamie conflicts — “Adam needs a cookie. Guess I’m tearing this thing down by myself.” There were massively failed rigs, like the shotgun in a fishtank Jamie built and subsequently destroyed for bullets fired underwater, or the classic “Am I missing an eyebrow?” Not that I want to see M5 burn to the ground or anything, but the hosts rarely show a countenance other than unmitigated awe, so seeing the build team’s disappointment at the hysterically weak popping wine corks made them seem almost human for a bit.

The semi-dynamic duo of Adam and Jamie owned the show as they always do, setting off medieval torpedoes powered by massive model rocket engines and watching in helpless horror as the missiles first strayed from their course and soon went haywire. Like the less massive, more contained bowling ball from the border slingshot myth, the crew’s at their best when facing an over-exaggerated threat of death — which is why the show’s bigger and badder attitude since going mainstream is really slowing down the show with its complimentary cautious attitude towards keeping the hosts alive and making sure we don’t try anything we see on the show at home.

 

My heart sank a little bit when Kari introduced the “Dynamite Ax” so-called myth. M7 got an email from someone who clearly shouldn’t be handling dynamite claiming that an enterprising lumberjack could tie a stick of dynamite to an arrow, ignite the dynamite, shoot the arrow into a tree, and the explosion would cleave the tree straight in half. Oh, that old myth.

I have two problems with the Discovery Channel. The first is that, with the exception of the BBC specials Earth, Life, and now Human Planet, Discovery has gone from a science channel to a very red-state redneck channel, and no there’s not a lot of overlap between the two. Pretty much every Discovery Channel show is some nutball either blowin’ shit up, or building some obscene vehicle, or a big-ass gun, or ideally all three. And then Discovery has like fifty shows about working class dudes fishing, including Deadliest Catch, Lobstermen, Swords: Life on the Line, River Monsters, and something I swear I’m not making up called Man vs. Fish starring “extreme fisherman” Matt Watson. And Mythbusters is following the same pattern, at least to the degree that a bunch of actually-educated San Fransisco artists can be expected to. I feel the ratio of actual scientific information imparted by the hosts to gratuitous explosions is getting dangerously low.

My other problem with the Discovery Channel is that, as the station turns more and more to serialized reality programming, they’re also becoming more and more comfortable with contrived drama and the fact that Discovery’s producers are more and more handing the audience a narrative rather than the David Attenborough straightforward play-by-play. It’s not enough to show lions chasing gazelle as the circle of life; now we need to take sides with the lions or the gazelle. There’s junior motorcycle-building guy versus senior motorcycle-building guy. Dual Survival: hippie weirdo nature freak versus angry military survivalist guy. Man versus wild… which has run out of interesting environments for Bear Grylls to explore, so now they just have him performing ridiculous stunts.

Mythbusters is, of course, also a lie. It’s the nature of the documentary — of any film, really — the cameraman turns toward one thing and we pretend everything else isn’t there. The editors take hours and hours of footage and pretend it’s only forty-something minutes. We assume that the events in the show happened in the same chronological order that they’re presented in. I’m not criticizing Mythbusters for being what it is — I’m saying that the seams are starting to show and dynamite ax had a strong sense that this was not a myth that perpetuates in the world independent of the television show. There was a conference room, a meeting at Beyond Productions, and someone there wanted to tie dynamite to an arrow and shoot it into a tree.

The show began slipping with the Confederate rocket episode, when the narrator egregiously bleeped out the chemicals Grant used to make nitrous oxide (hint: it’s ammonium nitrate and water) and that Kari used to make gun cotton (nitric acid and sulfuric acid). Adam and Jamie, of course, always had personalities that came out on screen, but the narrator was essentially a talking chemistry textbook, saying something because it’s true and not saying something else because it’s not true. But suddenly the narrator is choosing to withhold information, which leads to the question, “What else is he not telling us?”

Let me say that I don’t believe Mythbusters has faked any of its experiments or any of the results. But you know, maybe something did beat the speed camera, for example, but it just happened to be cut for time. Or “for time.” The problem is that Mythbusters only thrives on the hosts’ personalities before it devolves into just another Discovery show of boring people blowing up dumb shit — and a lot of that personality is Adam and Jamie’s apparently genuine fascination with science and therefore tied up in the legitimacy of their scientific process. It’s not like they’re characters on Mythbusters, with goals to achieve and conflicts to overcome. Their sole purpose is to provide information, and if it even seems like they’re failing to do that — watch the obviously contrived “aftershows” on the Discovery Channel website for examples of this — then Mythbusters just isn’t Mythbusters.

 

We all knew this day was coming, the day Adam and Jamie would run out of myths to bust. But I assumed that when the well finally ran dry, maybe the boys would check out snopes.com for new material, or they might head out to the Ripley’s Believe It Or Not! Museum out on Fisherman’s Wharf. There are plenty of people scattered around America who don’t believe in evolution or global warming. How many episodes of MacGyver remain unexplored?

Or they could toss legitimate science aside and do an entire episode completely shocking people who have trouble telling the difference between fantasy and reality by taking a freaking superhero movie and then going, “Yeah, that wouldn’t happen like that in real life.” Thank you, special effects artists, for commenting on the nature of film, how the mise-en-scène presents the semiotic clues to interpreting the on-screen action via the audience’s imagination of reality, or “reality,” or “quote-unquote reality,” but then I took a closer look at that scene Seth Rogen brought to demonstrate the myth and I was all like, “Why’s that stoner guy from Pinapple Express wearing a silly half-mask?”

Rogen pops his cheery self into the blueprint room and Adam asks, like it wasn’t totally pre-scripted, “How’d that happen?” Well, there was a meeting with the Discovery Communications bigwigs and the bigwigs at Columbia Pictures and the words “media synergy” were tossed around, and here we are.

Mythbusters has tested these silly imaginary-universe myths before, most egregiously the Gorn cannon from Star Trek — Could Captain Spock build a handmade cannon? We were all shocked when it turned out that the science behind the device, and the cannon itself, broke down when the myth was transplanted to Earth, so lucky for Spock he was on a fictional planet and built his cannon out of fictional materials. But aside from being just plain stupid, “Green Hornet Special” was the first time Mythbusters felt like it was selling out — the Jaws special, for example, didn’t seem like Spielberg knocking on M5′s door, “Please show your audience of science dweebs and comic book nerds how awesome this shark is so they’ll see my movie.” We already saw the movie, and came out of the theater a bunch of ill-informed beachgoers, our minds full of shark lore, and it’s that lore we wanted the Mythbusters to validate or not. Here, you know, I never really cared in the first place if you could bury a car and then blow it up, and it turns out I still don’t care, aside from the slight gratification I get imagining that the scene really ends with our hero and sidekick splattered among the Black Beauty’s leather upholstery.

Hmm, I wonder if it’s possible to clean human guts out of a blown-up car. Maybe Adam and Jamie could get on that.

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